New Contract for sequel to The Sweet Flag

I am so happy to share that Aftershocks, the sequel that tells the story of Kazvan from The Sweet Flag, has been contracted by Loose Id!
I'm writing my butt off (don't I wish that could happen -- skinny butt d/t writing)to get his story out asap!
And, for those who've asked for it: there's going to be a menage!

Bend in the Road - Out today!!

So, my publisher informed me that Bend in the Road went live much sooner than planned!

So, here's the nitty gritty you need to know.

BEND in the ROAD by Jeanne Barrack

ISBN# 978-1-60820-002-3 (print)
ISBN# 978-1-60820-003-0 (e-book)
Released now from ManLoveRomance Press
A dual novella erotic, m/m historical romance anthology
BEND IN THE ROAD, set in Eastern Europe in the 1880s, introduces us to two couples that find safe havens in the insular world of a traveling Yiddish theater troupe. IN THE LION'S DEN brings us Daniel Bercovich, a young man in the first throes of finding his identity. Can the man he comes to love accept a new side to him? Yuval Smolenski finds more than the inspiration for his music, he finds something everlasting in FROM STAGE TO STAGE. These Jewish men in love must deal not only with the stigma of that love but also fear the rise of anti-Semitism. Can their love survive all the forces that surround them?

Available at ARe at: http://tinyurl.com/Bend-ARe

Available at MobiPocket at: http://tinyurl.com/Bend-Mobi

Available at Barnes & Noble at: http://tinyurl.com/Bend-BN

Available at Amazon at: http://tinyurl.com/Bend-Amazon

BEND IN THE ROAD, Guidepost Two ~ Purim

The Holiday of Purim and "In the Lion's Den"
Purim offers religious Jewish children an opportunity to dress up in funny clothes and as the people who are the main characters in the holiday in a manner similiar to Halloween, a holiday not celebrated by more orthodox Jews. After all, Haloween is associated with pagan themes, but Purim -- as joyous and free wheeling as Mardi Gras -- easily fills the need for fun. In fact, one is encouraged to drink until you can't tell the difference between Haman, the villain and Mordecai, the hero. The holiday also offers religious adults an unusual chance to indulge in atypical clothing choices as discussed below.
Here's a very brief description of the background of the holiday.

The Book of Esther or the Megilla of Esther, recounts how the Jews of Persia were saved from destruction. During the reign of the King Ahasuerus, one of his advisors, Haman, attempted to destroy the Jews in revenge for being ignored by Mordecai, a Jew who refused to bow down to him. Given the king's permission, Haman draws lots (purim) to determine the day when the king's soldiers will set upon the Jewish citizens. The date falls upon the 13th of the Hebrew month of Adar.
Mordecai finds out about the decree and approaches his cousin Esther, the king's new queen, to intercede with the king. Esther, who has kept her religion a secret, fasts for three days to gain courage to come before her husband. She speaks out against Haman at a banquet for the king and Haman. Haman is hanged and Mordecai assumes his position. Because a royal decree cannot be repealed, Mordecai sends another decree to all the provinces. This one empowers the Jews to protect themselves from their enemies. They do and overcome the soldiers. The days following this struggle with their enemies (the 14th and 15th of Adar) are declared days of feasting and festivity, and today are observed as Purim.

So, how does Purim relate to my story?
"In the Lion's Den", the first story in BEND IN THE ROAD, is set during the holiday of Purim. The story was submitted for MLR's cross-dressing anthology and the celebration of Purim has long been associated with cross-dressing and other unique issues. When I researched the holiday I found that parodies and entertainment that mocked established Judaism were a widespread component of Purim observances.
I learned that written records of the Purim shpiel (Yiddish for "Purim play") could be found in Europe from the 14th century on. Purim shpiels and entertainments at weddings (as in my second story, "From Stage to Stage") were the sole source of Jewish popular pursuits for centuries. The sarcastic content of Purim plays and the spoofing, cross-dressing, and drunken revelry surrounding them offered an opportunity to explore boundary-crossing matters of gender, sexuality, authority, and relations with the gentile world in a safe setting like the traveling Yiddish theater troupe where crossdressing was common during its early days.
Although there are laws that prohibit cross-dressing, these laws would most likely not prohibit cross-dressing in a private setting or for theatrical purposes. The cross-dressing that appears in "In the Lion's Den" then, would be acceptable. How Dani, the young hero in my story feels about feminine clothing...well...
So, did I surprise you about this holiday?

Bend in the Road ~ First Guidepost

A Guide to a Different World...
My dual novella anthology, BEND IN THE ROAD, from MLR Press takes place in a world so foreign for most readers that it might as well be set in a 'galaxy far, far away...'
So, to help prepare you for your journey, I'll be offering guide posts. Each one focuses on a different part of the world of Aryeh, Dani, Yuval and Tsvi. I hope by the time you reach your destination, you'll want to find out what happened to these four young men in their 'different world'.
The Blurb:
BEND IN THE ROAD, set in Eastern Europe in the 1880s, introduces us to two couples that find safe havens in the insular world of a traveling Yiddish theater troupe.
IN THE LION'S DEN brings us Daniel Bercovich, a young man in the first throes of finding his identity. Can the man he comes to love accept a new side to him?
Yuval Smolenski finds more than the inspiration for his music, he finds something everlasting in FROM STAGE TO STAGE. These Jewish men in love must deal not only with the stigma of that love but also fear the rise of anti-Semitism. Can their love survive all the forces that surround them?
The Titles:
IN THE LION'S DEN
I had the names for Aryeh and Dani before the title for the story. I was looking for a strong name for my older hero and came up with Aryeh very quickly. Aryeh means 'lion' in Hebrew and I've always loved the name. Daniel, for my younger man, is also one of my favorite names. It means 'G-d is my judge'. This too seemed fitting since for these men, G-d is the only judge who matters. It was only after I put the two names together and then called Aryeh 'Lionel', an English version of his name, that I realized I had the perfect title for their story from the biblical tale of the Prophet Daniel.
FROM STAGE TO STAGE
Yuval and Tsvi's story took its inspiration from several sources, primarily folk songs, popular music, liturgical music, poems and fairy tales. Yuval's name appears in the Bible in Genesis where he is known as the 'ancestor of all who play the lyre and the pipe' - a sort of patron of musicians and yes, the name does have a shared root in the word 'jubilee'.
Tsvi's name also comes from the Bible, this time from the second book of Samuel that includes the beautiful lament of King David for the deaths of Jonathan and Saul. The word used to describe Jonathan is "ha-tsvi", translated as 'the beauty', but it also is the word for "gazelle". Tsvi is a very popular name in Israel.
To some scholars, the story of the love between David and Jonathan is something more than comradely, so the name, Tsvi, fit my character perfectly. I referred to this portion of scriptures and other passages in Yuval and Tsvi's story and the names of the pivotal characters revolve around their Biblical source.
The story's title is taken from a Yiddish folk tune my mother used to sing called, "The Singer". The verse says, "The singer travels from town to town and 'from stage to stage'" - perfect for members of a traveling Yiddish theater troupe.
BEND IN THE ROAD
I found my inspiration for the anthology's title from several sources.
One of my favorite poets is Robert Frost. I've always loved a poem of his called "The Road Not Taken". It came to mind immediately because these men made choices to travel down different paths not only in their relationships, but also the decisions they made about the direction their lives would take.
At the time I wrote IN THE LION'S DEN, I had just seen "The Bubble", a gay Israeli movie and in the film there's a scene in a theater where the play "Bent" is being performed in Hebrew. "Bent" takes place during WWII and refers to the gay community during the Holocaust. I had seen this play years ago and seeing it performed again in Hebrew in the film brought back the initial impact.
And last, and perhaps the most personal, I've found many blogs sharing the gay Jewish experience and a phrase from one of those blogs stayed with me. It referred to the bend in the road not being the end of the journey.
For Aryeh, Dani, Yuval and Tsvi the bend in the road was not the end of their journey.

Bend in the Road ~ Update and Blurb

Well, we now have a title for my 2009 work coming out from ManLoveRomance Press. - Bend in the Road. And a Blurb (unedited). Here it is:
BEND IN THE ROAD, set in Eastern Europe in the 1880s, introduces us to two couples that find safe havens in the insular world of a traveling Yiddish theater troupe. IN THE LION'S DEN introduces us to Daniel Bercovich, a young man in the first throes of finding his identity. Can the man he comes to love accept a new side to him?
Yuval Smolenski finds more than the inspiration for his music, he finds something everlasting in FROM STAGE TO STAGE. These Jewish men in love must deal not only with the stigma of that love but also fear the rise of anti-Semitism. Can their love survive all the forces that surround them?
Well, what do you think?

A New Year's Greeting

Monday evening will begin the Holiday of Rosh HaShanah, the beginning of the Jewish New Year. Rosh HaShanah ushers in a ten day period of contemplation, reaffirmation and renewal ending with Yom Kippur.
The following brief opinion from Orthodox Rabbi, Meir Fund, expresses I feel, an appropriate message and reminder for this Holiday season.
"We never heard that a Jew is barred from a shul because he is a sinner. If that was the policy of the halacha, then I hate to tell you I doubt there would be a minyan in any shul. I have to believe that if someone is gay, that that's an assignment from HaShem and that HaShem is somehow also sharing with that person not just the strength to carry out the assignment as best as they can but ultimately it's part of the life purpose of that person to have struggled and worked with that particular issue, among others, to do the best they can. These are the secrets of the soul."
L' Shanah Tovah to all my readers and friends.

The Whitman Excerpt

I couldn't resist putting Walt Whitman into The Sweet Flag. He was one of the most intriguing, enigmatic, conflicted souls of the period. Denying who he was, yet writing such exquiste poetry that can only be fully appreciated when viewed as an expression of homoerotic love.
Whitman appears twice in The Sweet Flag. In this excerpt, we finally find out who the mysterious 'M' was in his poetry.
SET UP: Ron continues to tantalize Brandon with Matthew and deMonde's story.
EXCERPT:
“I forgive you because of your ignorance, but I am growing tired of your attitude toward Matthew.” He paused. “Perhaps you are jealous of him? He was the embodiment of the heroic ideal of that time. In fact ‑‑ listen. One day, Matthew became the object of adoration of…well, I would not wish to bandy about his name.” He smiled slyly, knowing I’d take the bait.
“Don’t fucking pinch me, but you know damned well I want to know who you’re talking about.”
“Since it cannot be proved one way or the other, I’ll tell you what I know. Matthew caught the eye of the great Walt Whitman.”
“No shit?” The light slowly dawned. “Wait a minute. You’re not going to tell me that Matthew was the mysterious ‘M’ he wrote about?”
“So, you have heard of him? You know then that Whitman trolled for boys and young men. Usually, lower class types, but one day he spied Matthew as Matthew was leaving a neighborhood eatery and was struck by Matthew’s manliness. Whitman found out where Matthew lived and deluged him with gifts. Cuban cigars, liquors, fine linen handkerchiefs, cravats, and walking sticks all arrived at his door with impassioned notes of undying love. Whitman created a non-existent love affair. He hounded Matthew to the point that he could not leave the house for fear of running into him. At last, deMonde had had enough. He arranged to meet Whitman at a café in Manhattan in a part of town where neither man was known. He knew Whitman would be there, for he had signed the letter with Matthew’s initial and intimated that he had finally succumbed to Whitman’s ‘courtship.’
“Whitman arrived early, expecting Matthew’s arrival. Instead, deMonde sat down at the secluded table for two and introduced himself as Matthew’s lover. At first, Whitman was disbelieving. It wasn’t until deMonde described Matthew’s body in loving, intimate detail that he conceded defeat. DeMonde’s delineation could only come from one who had seen Matthew naked. His portrayal of Matthew’s physique exceeded the brief look Whitman glimpsed one morning from the sidewalk as he gazed up at Matthew’s bedroom window. That wasn’t good enough for deMonde. He demanded and received Whitman’s assurance in writing that he would never reveal the name of his fixation. When, the next year, a volume of Whitman’s poetry was published, they knew at once that Whitman had adhered to the agreement, but only marginally.”
I stared at Ron, convinced yet still somewhat incredulous. “The ‘Calamus’ poems.”
He nodded.
“You mean Hardesty was the guy who nearly pushed Whitman over the deep end?”
“If you mean Whitman’s melodramatic response to the ending of his imaginary relationship, then yes. Did you know that the calamus plant was often called “the sweet flag” and named after the river god Calamus who mourned for the drowning of his young male lover? Whitman did. Poor Walt always vacillated over his own nature. Why do you think he left the identity of “M” a mystery? It is ironic that he and deMonde met again in quite different circumstances several years later. But that is a story for another time.” He shifted so that we faced each other. “I would rather not speak any further.” He rubbed his cock against mine and smiled. “I would rather use my mouth in a far more enjoyable manner.” He stopped rubbing, holding still while we both hardened in anticipation. He cocked his head. “Silent, again, eh? You are an apt student and deserve a reward. What shall it be?”
I grabbed his hand and curved his fingers around my dick, gripping his shoulder with my other hand. “You know damn fucking well what I want. The same damn thing as you! Fuck me!”
And he chuckled softly. “Good answer. And I will not spare the rod for fear of spoiling the student.”
He crushed his fingers around me and squeezed.
And there was no more talking.

Great News!

I am thrilled to announce that I just received a contract for a single author collection of stories from ManLoveRomance Press. MLRPress is a well-respected publisher in the GLBT genre. My stories will focus on Jewish cultural heritage settings.
We're hoping for a release in early 2009.

More to come!